You’ve just designed a spectacular, high-performance sports car. It’s beautiful. It handles like a dream. It turns heads. And it’s faster than anything else on the road. Now what do you name it?
Let’s assume that you want to emphasize the car’s speed in the name. Which name sounds faster to you: Tarin or Parin? Think about it for a moment and then read on.
According to researchers at Lexicon, a naming company in California, Tarin implies speed but less luxury. Parin, on the other hand, implies luxury rather than speed. The differences have to do with the pronunciation of the first letter. The initial “t” in Tarin is easy to pronounce — it’s quick like a fast car. The “p” in Parin requires more effort to build — like a luxury car.
“Fine”, you may say, “that works in English but the world is globalizing, so what about other languages?” Funny you should ask. The Lexicon researchers also studied the names in Japanese, Polish, Spanish, and Dutch and got essentially the same result. Pronouncing a “t” is easy and fast regardless of your native language.
This example comes from “Famous Names”, a terrific article by John Colapinto that appeared in The New Yorker. (click here). Unlike the old days, naming has become much more of a science. Linguists are studying how sounds evoke emotions and how those sounds might vary across cultures. Some tidbits from the article:
So here’s a fun game: take these guidelines and start inventing your own names. I often do this when I’m out for a walk. I just play with different letter combinations and, when I come up with something that sounds interesting, I write it down. I now have about 80 names on my “potentially useful” list. Some day, they may come in handy.
Yesterday, I wrote about playing offense by making brand names memorable, meaningful, and likable. That’s all well and good but how do you defend a good brand name once you’ve created it? As with offense, Kevin Lane Keller and others advise you to consider three variables:
Here’s where we start to see conflict between offense and defense. An entirely original, invented name is easier to protect. But an invented name usually has no inherent meaning, no emotional associations, and low likability. You have to teach the market what the name means, always an expensive proposition. It may score high on protectability but it’s probably low on memorability, meaningfulness, and likability.
It’s virtually impossible to create a name that scores well on all six criteria. So don’t feel badly if you don’t create a “killer” name after a few brainstorming sessions. If you need to build brand equity, you should probably focus on offense. If you need to maintain brand equity, you should probably focus on defense. Figure out your brand positions and then figure out which variables to focus on. Above all, help your customers imbue the name with emotion. It doesn’t matter what you think. It only matters what they think.
(This article is based largely on Kevin Lane Keller’s book, Strategic Brand Management).
My clients often ask me to help them name things. They’re hoping that we can develop a name that plays equally well to logic and emotion and that states a compelling benefit in 15 letters or less. A lot of brains have been damaged this way.
Great brand names often trigger emotional responses. But we often get the cause and effect backward. The name doesn’t put the emotion in us. We put the emotion in the name.
I worked in college and scraped together enough money to buy a beat-up Pontiac Tempest. The original Pontiac was a great Indian leader in the midwestern United States. The town of Pontiac, Michigan was named after him. General Motors opened a factory there and named the car after the town. Originally, the name Pontiac didn’t mean anything more to me than, say, the name Cotopaxi. It’s just a name. Then I bought the car and enjoyed driving it. Now Pontiac has a special meaning to me, some sentimental value. The name didn’t do anything to me. I did something to the name. That’s why naming is so difficult. The name doesn’t trigger anything until customers add emotion to it.
As Kevin Lane Keller and many other branding experts have pointed out, you can play offense or defense with a name — but it’s hard to do both. Consider three variables for offense:
Most companies pay a lot of attention to their formal messages. They’ll work for hours writing and re-writing slogans. They’ll spend days trying to perfect their mission statement. They’ll work hard to get their press release just right.
Metaphors, on the other hand, attract very little formal attention or review. Ask an employee what it’s like to work for a company and they’ll often use metaphors in their response. These metaphors typically are not carefully crafted. They occur naturally, without forethought or guile. Precisely for this reason, they provide an excellent window into what the company really thinks.
If you’re thinking of buying from or working for a company, pay particular attention to the metaphors that employees use. The metaphors will give you insights into the company that you’ll never glean from the formal messages.
If you’re an executive of the company, you also need to pay attention. Your employees may use metaphors that undercut the company’s position. Worse, they may have acquired those metaphors from you. Listen to the metaphors and decide whether you need to change them. If you do, you’ll need some new stories.
Learn more in the video.
Once upon a time, General Motors had five major brands. Why five? Because there were five decades in the car buying experience. GM had a car for every need and every age.
Back in the day (my Dad’s day), everyone understood how to buy GM brands. Chevrolet was for young couples in their twenties, just starting out in life. In your thirties, you traded up to a Pontiac — a little nicer, not quite so bare bones. Oldsmobile was the choice for forty-somethings — a good middle of the road brand. In your fifties, you opted for a Buick — more luxury, near top-of-the-line. When you reached your sixties (and beyond), you wanted to signal that you had made it — so you bought a Cadillac.
In the late 80s, Tom Wolfe’s Bonfire of the Vanities had a good line comparing a European brand with GM. One of Wolfe’s characters talks about getting rich and buying a Mercedes. Another character responds, “Oh, a Mercedes is just what a Buick used to be.” I recently bought a large Volvo sedan. I like it a lot but I also think, “Oh, it’s just a Swedish Cadillac”.
So, what happened to GM? They stopped building brands and started building cars. Instead of clearly differentiating their brands, they decided to aim for manufacturing efficiency by consolidating platforms, parts, and styling. They may have saved some money on the manufacturing line but they wound up producing indistinguishable cars. Whey would I pay more for a Buick when it looks just like a Chevy? GM reached the nadir with the Cadillac Cimarron — a re-badged Chevy Citation. A GM engineer was asked, “What’s the difference between a Citation and a Cimarron?” He famously replied, “About $5,000”.
What’s the lesson here? Brands belong to buyers, not sellers. GM thought they owned the brands and could treat them to a dose of industrial efficiency. The move made sense from a manufacturing perspective but not from a brand perspective. Once the brands lost their distinction, they also lost their markets.
It’s probably time to review your brands. Don’t review them based on features or functions — that’s the way sellers think. Rather, review your brands based on which markets they appeal to. Are those markets really different from each other? If they are, then keep accentuating the brand differences. If they all appeal to essentially the same market, however, you may want to consolidate your brands. There’s no point keeping five brands around if potential buyers can’t tell them apart.