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Kylo Ren

Conned By The Force

Con artist.

Con artist.

(Warning: spoilers ahead.)

I finally got around to seeing Star Wars: The Force Awakens the other day. It was pretty much what I expected – lots of action, lots of explosions, and a shocking shortage of suggestive double entendres. It’s a very earnest movie.

Here’s what I didn’t expect: I didn’t expect to be conned. But, boy, was I ever. And I fell for it like … well, like a death star falling into a black hole.

As always, it’s a story of good and evil, of course. The vile, evil bad guy is Kylo Ren who dresses like a fashionable Darth Vader. Though we can’t see his face, we know he’s young — the script tells us so several times. Since he’s young, we assume he’s impressionable and, perhaps, redeemable.

And redmption is exactly what we expect when an aging Han Solo confronts him, man-to-man and mano-a-mano. We’re just sure that the wise and wizened Han can save Kylo’s young soul and bring him back to the bright side. (Cue Monty Python: always look on the bright side of life).

And it works! Kylo drops his mask. His eyes fill with tears. His lips tremble. With evident emotion, he hands Han his most terrible weapon, the lightsaber. Han reaches for the weapon and we’re convinced that Kylo is about to be redeemed. Han grasps the saber and we know that angelic music will soon swell to celebrate Kylo’s conversion.

But, no. It doesn’t work out that way. I was conned. More to the point – and with much more devastating effect – Han was conned.

As I look back on the scene, I think: I should have seen that coming from a parsec away. But I didn’t. I wanted to believe. I got conned.

Why was I conned? According to Maria Konnikova, it’s because I wanted to be conned. In her new book, The Confidence Game, Konnikova writes that the con game is “…the oldest story ever told.” Simply put, we’re wired to believe. We want to believe. If we’re unsure about the future, we want someone to tell us a story to reassure us. It doesn’t have to be logical. It simply has to be believable. Since we want desperately to believe, the bar is set pretty low.

The Kylo Ren con also worked on me because I already knew the story. It’s the prodigal son. I’ve always loved the story of the prodigal son, perhaps because I was one. So I was primed. I knew how it’s supposed to end. I half-expected Han to kill a fatted calf and say, My son was lost but now he is found. That’s the way it always happens, doesn’t it? That’s what I want to believe.

Konnikova writes that we ultimately are the enablers of con artists:

“In some ways, confidence artists … have it easy. We’ve done most of the work for them; we want to believe in what they’re telling us. Their genius lies in figuring out what, precisely, it is we want and how they can present themselves as the perfect vehicle for delivering on that desire.”

So how can we protect ourselves against con artists? More on that in future articles. In the meantime, you might consider some traditional Minnesota wisdom: You’re not so special.

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